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Serpentina : a flowing mosaic of works on paper
Curated by Gina Fuentes Walker at Casa Frela Gallery, New York 2009

A group exhibition of small works on paper featuring HOAST2009 artists
On view September 21 - October 21, 2009

Casa Frela Gallery | 47 West 119th Street New York | New York NY 10026

Think Carnival and New Year's Eve. It is a brightly colored, curly strand of paper that is tossed in the air during celebrations and holidays. When hundreds of serpentinas unfurl at once, they cover everyone and everything in a woven mosaic of colors and textures.

SERPENTINA is a group exhibition of HOAST2009 artists living and working in the culturally and ethnically diverse mosaic of Harlem. The exhibition will feature postcard sized works on paper. The gallery will also serve as HOAST2009's Information Center. It will be open to the public on October 10th and 11th, from 12-6pm. Visitors to the exhibition will have the preview of what they will see at the artist studios, galleries and exhibition spaces all around Harlem.

The exhibition will be on view September 21 - October 21, 2009. An opening reception will be held on Friday, October 9th from 8-10pm. The reception will also serve as a kick-off party for HOAST2009.

SERPENTINA: a flowing mosaic of works on paper
Casa Frela Gallery | 47 West 119th Street | New York NY 2006
Curated by Gina Fuentes Walker, Co-Founder/Executive Director artHARLEM, Inc.

Swirls and Silver
Gina Fuentes Walker

As with the abstract swirls and patterns in the bottom of Anna Cox's morning cup of coffee, there is an engaging flow and movement in this new exhibition at the New Image Gallery. Whether traditional, alternative or digital printing methods were used, this inaugural show reflects a broad range of materials and technology that artists have at their disposal to create new photographic work. Perhaps this is why I was attracted to a simultaneous feeling of nostalgia and innovation that shapes the overall tone of this exhibition. 

Paspoort, is a fragile and delicate image that is also precise in the way it is arranged and displayed.  Political leaders come in and out of focus in David Luke's "The Politics of Presentation." The pose is reminiscent of a formal presidential portrait, while the blur evokes the use of digital manipulation. Same with Joelle Jensen's Repose: Bath, in which she employs old source material to create new work and breathe new life in a family snapshot. I hope visitors to the gallery come away from this show with a new take on the familiar and re-examine the clean edges of a rooftop, the arch of a doorway, the movement in a garment, and the abstract shapes and patterns their morning coffee leaves behind.

Juror’s Essay for 15th Annual New Images Exhibition at the New Image Gallery. James Madison University, VA. March 2006. ...Juried by Gina Fuentes Walker

New Image Gallery director Corinne Diop opened the gallery with the 15th Annual New Image Exhibition: A Juried Photo Competition for the Middle Atlantic States. The exhibit features a variety of photographic images, created with traditional, alternative or digital printing.Daily News-Record:
New Image Gallery director Corinne Diop opened the gallery with the 15th Annual New Image Exhibition: A Juried Photo Competition for the Middle Atlantic States. The exhibit features a variety of photographic images, created with traditional, alternative or digital printing. (more)

From:
grace (GRAYSS) . a spiritual gift


Curated by Gina Fuentes Walker
Co-Founder and Director
artHARLEM and the Harlem Open Artist Studio Tour
September 2006
National Museum of Catholic Art and History
New York NY

New works by Stephanie Mulvihill and Janice Taylor


Grace(GRAYSS) . a spiritual gift features artists Stephanie Mulvihill and Janice Taylor whose work offer personal interpretations on shifting cultural and ideological traditions. Taylor's Bridal Helmets are both ornamental and protective. I remember her telling me that they were some of the first works she produced following the September 11 attacks; a time when many artists were inspired to create work that reacted to our new state of uncertainty. Mulvihill's work also responds to global shifts and changes, in her use of delicate media like quilting and collage. While the fragility of the materials whisper and seem fleeting, they are solidly supported by the wood base on which they are mounted. Both artists live and work in Harlem and are participants in artHARLEM's 2nd annual Harlem Open Artist Studio Tour.
- Gina Fuentes Walker

artHARLEM is a community based not-for-profit organization that manages HOAST and other curatorial events throughout New York City. Our events showcase the works of the under-represented artists of Harlem. artHARLEM's mission is to foster artistic expression by uniting and promoting the artists of Harlem and strengthening the community by stimulating awareness of is contemporary arts.


National Museum for Catholic Art and History
443 East 115th Street
New York NY 10029

 

CREATING A SPACE FOR HARLEM ARTISTS
by Gina Fuentes Walker, for TiempoNY

I discovered HOAST last fall, as an artist searching through exhibition opportunities and listings on the NYFA and ArtNet websites. I came across and clicked the link for a Harlem Open Artist Studio Tour (HOAST), scheduled for Spring of 2005. After trolling the salmon colored and crisply designed pages of the HOAST website, I discovered that there were many more artists living and working in Harlem than I had realized and that a studio tour could spotlight Harlem as the next neighborhood to watch for emerging talent.  I wanted to become involved, so I sent out an email to schedule a studio visit and soon after I became actively involved in the production side of the tour, first as a staff member and later serving as a board member of the organization. This year I am organizing the second annual studio tour as co-founder and director of artHARLEM, the not-for-profit organization under which HOAST now operates.

HOAST is the brain child of Reuben Sinha, an artist and Harlem resident who lives and works in a recently renovated brownstone which also houses his studio. As Sinha states on the artHARLEM/HOAST website, he envisioned the tour to be a weekend of studio visits that will give art lovers an opportunity to visit the neighborhood, and to observe the creative process by talking to artists in the relaxed atmosphere of their studios. Ninety-five visual artists participated in the first studio tour and, because we are expanding the tour to include artists of all disciplines (musicians, dancers, spoken word, theatre and film), we anticipate that number to increase.

I was inspired by the number of artists that I met on the first studio tour who live in Harlem. However, many of them were unaware that they lived down the street or around the corner from each other. So I began organizing informal get togethers in local spots like Cafe Society and Camaradas to introduce new artists to HOAST and to create a space where artists can meet and network. My favorite characteristic about HOAST and the events related to it, is that we are creating a place where artists can gather to talk about each other's work and exchange information about performance and exhibition opportunities in the very locations where the artist get togethers are being held. In the process, we are becoming another thread in the fabric that is the rich tapestry of Harlem culture.  While working on the first studio tour, I also had the opportunity to meet long time Harlem residents like Dindga McCannon, a fiber artist, and Kim Hamilton-Shakir, who exhibited HOAST artists (including my own work) at her Hamilton Landmark Galleries on west 144th Street. 

To participate in HOAST, visit www.hoast.org. You must be a Harlem resident, or have a studio in Harlem. All media and styles are welcome. Participation is on a first-come basis. Artist participation fees are thirty dollars ($30.00) before January 1, 2006, and fifty dollars ($50.00) after January 1, 2006.  

Gina Fuentes Walker is an artist & Co-Founder/Director
of artHARLEM.

Appeared in TiempoNY vol.1, No.8. Dec 22, 2005

©2001 - 2010 GINA FUENTES WALKER/Artists Rights Society (ARS), New York